
Why English?
A second major or minor in English can enhance your academic program by strengthening analytical and writing skills and providing valuable background in literature. It demonstrates to potential employers the range of your interests and expertise.
A survey of English Department graduates found that they are employed in a surprising range of careers, including public relations, law, banking, publishing, teaching, and business management. Almost all respondents felt that their training in English not only helped them get their jobs but also provided the background that enabled them to succeed in their positions.
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Events for the English Department
IRELAND 1880-1920
Date: March 30, 2011
Place: McIntyre Lounge
Keynote Address: (10:00 a.m. – 10:50 a.m.)
“The Legacy of the Gaelic Revival: Implications for Current Policy and Teaching”
Prof. Thomas W. Ihde, Ph.D. – Director, Institute for Irish American Studies, Lehman College.
Faculty Papers:(11:00 a.m.–11:50 a.m.)
“The Irish Arts Center: A Case Study in Ethnic Revival”
Donal Malone, Ph.D., Sociology Dept
“Trooping with the Sidhe: Gods, Warriors, and Wonder”
Prof. Constance Wagner, English Dept.
Student Papers (1:00 p.m.–1:50 p.m.)
“Celtic Pride,” Mary Steele and Rose Driscoll
“The World of Oscar Wilde,” Maude Sutherland
“The Dead,” by James Joyce. James Moretto
“Why So Many Irish Became Domestics in the U.S.” By students in Prof. Malone’s course
"From Famine to Feast: The Irish in America” Jacqueline Barry, Christine Harris, Melanie McBride, Daniel O’Connell, Brittany Ortiz,
Diana Polanco, Allyson Pullis, and Mary Steele
Irish Drama and Music (2:00 p.m. –3:00 p.m.)
Monologues presented by students from Prof. White’s New York Theater Live Class:
“Saint Joan,” by George Bernard Shaw. Mackenzie Flint
“The Picture of Dorian Gray,” by Oscar Wilde. Michael J. Storey
“Lady Windermere’s Fan,” by Oscar Wilde. Patricia A. Sebastian
“Granuaile and the Music of Irish Nationalism” Dr. Rachel Wifall, English/Honors Dept.
This event is co-sponsored by the English and History Departments, the O’Toole Library, the English and History Clubs and the Irish-American Club.
Be sure to check out the SPC Library's exhibit Irish Literature 1880-1920.
In Memory of Connor P. Hartnett, Ph.D. (8/24/24 – 8/30/10)
In Memory of Reverend T. Patrick Lynch, S.J. (8/19/30 – 2/28/11)
The English Department Conference on Modernism was held on March 4, 2010
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned…
Surely some revelation is at hand;
Surely the Second Coming is at hand…
And what rough beat, its hour come round at last,
Slouches toward Bethlehem to be born?
--William Butler Yeats, from “The Second Coming” (1919
Modernism: Introductions From Literature and History (10:00 am to 10:50 am)
Location: McIntyre Hall
Modernism in American Literature: “Concordia Discors,” Modernized
Dr. Loren Schmidtberger, Professor Emeritus, English Department
Modernism in British Literature: Virginia Woolf, Modernism, and the War
Dr. Paul Almonte, Assistant Professor, English Department
Modernism and History: The Impact of World War I
Dr. David Gerlach, Assistant Professor, History Department
Introduction by Dr. Kathleen Monahan, Professor and Chair, English Department
Philosophic and Artistic Modernisms (11:00 am to 11:50 am)
Location: McIntyre Hall
The Philosophy of Modernism
Dr. Lisa O’Neill, Associate Professor, Philosophy Department
Modernism in Latin America
Dr. Mark DeStephano, S. J., Professor and Chair of Languages Department
Deco New York
Dr. Thomas Folk, Adjunct Professor, Fine Arts Department
Introduction by Dr. Ray Conlon, Professor, English Department.
Musical Modernism (12:00 pm to 12:50 pm)
Location: McIntyre Hall (by invitation only)
“Moment Musical, Op. 16, No 4” by the late-Romantic, Modernist composer Sergei Rachmaninoff
Jonathan Herrmann, pianist.
Introduction and Prefatory Remarks on Rachmaninoff by James Adler, Professor, Fine Arts Department
Speaker - John Menaghan
Mr. Mehaghan spoke in Pope Lecture Hall in February 2008. This event was run by both the English Department and the English Club.

John Menaghan has published two books, both with Salmon Poetry (Ireland). Kirkus Reviews describes his first book, All the Money in the World (1999), as “an auspicious beginning” and the poems therein as “humorous, ironic, erotic, neurotic, and tender both by turns & often simultaneously . . . quite wonderful.” The Hudson Review calls his second book, She Alone (2006) "one of the best books of 2006," containing "fifty-odd lyrics, each in a different form, each handled with unobtrusive panache," "poetry with a human center," "smart and affecting," "utterly original," and "a book in which style and substance harmonize." And Midwest Book Review calls She Alone "a unique experience in epic poetry and enthusiastically recommended."
Menaghan’s recent move into playwriting has seen his one-act play A Rumor of Rain performed at the Empty Stage Theater in Los Angeles (as part of an evening that included work by John Patrick Shanley and Neil Simon) and given staged readings at the ATHE theater conference in San Francisco, by the Women in Theatre group in Los Angeles, and as part of the New Works Festival at Loyola Marymount University. Two other one-acts, What? and Break of Day, have been given staged readings at Barnsdall Park in Hollywood, the latter directed by the author himself. And both A Rumor of Rain & his latest short play To Put Away Childish Things? have been selected for upcoming staged readings as part of “Script Tease 2007” in San Diego.
Menaghan is the winner of an Academy of American Poets Prize and other awards, and has published poems and articles in Irish, American, and Canadian journals. He has given readings in London, Paris, Debrecen (Hungary), around Ireland, and across the U.S. from New York to Honolulu. He teaches literature and creative writing at Loyola Marymount University in Los Angeles, where he also serves as Director of both the Irish Studies & Summer in Ireland programs and runs the annual LMU Irish Cultural Festival. He is currently working on two full-length plays, one set in Berkeley, California, the other in Belfast, Northern Ireland, and a sequence of short plays on the theme of leaving and being left behind. His third volume of poetry is forthcoming from Salmon Poetry in Fall 2009.
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